I’m writing this message as I travel home from Los Angeles in the wake of 20 Days in Mariupol’s Oscar win — the first-ever for both FRONTLINE and our partner on the documentary, The Associated Press.
The New Yorker at 100 (now on Netflix) succeeds at two things: On the surface, the documentary gives a longstanding journalistic institution a hearty promotional boost via a warm atta-boy pat on the ...
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